The China National Silk Museum, the Nation’s largest Research Organisation dedicated to the History of Silk, has been hosting a series of events to showcase the Cultural Heritage of the Silk Road.

The Exhibition “The Silk Road: Before and After Richthofen” is the highlight of this year’s events. Antiques and artifacts on loan from 13 Museums are on display through August 23, giving visitors a glimpse into the glory of the ancient trading route.

“The whole process of forming and recognising the Silk Road has spanned more than two millennia,” said Zhao Feng, curator of the museum. “The exhibition gives people an opportunity to learn about their ancestors’ bravery, persistence, devotion and cultural exchanges.”

The origin of the Silk Road goes back to the Han Dynasty (206 BC-AD 220) when Emperor Liu Che dispatched ambassador Zhang Qian to the West.

In 1877, German geographer Ferdinand von Richthofen popularised the Silk Road as an academic concept. The Routes Network of Chang’an-Tianshan Corridor was listed as a UNESCO World Heritage Site in 2014.

The first part of the Exhibition focuses on artifacts from ancient envoys, merchants, monks and priests. Their tracks converged into different routes which later intertwined to form a crisscrossed Silk Road network.

The Silk Road linked civilisations in trade, religion, technology, culture and arts. The remains of temples, pagodas and tombs were from envoys, merchants, sailors, herdsmen, soldiers, monks and priests, the real builders of the Silk Road.

Starting from the Han Dynasty, countless cavalcades of merchants travelled along the Silk Road to trade high-value products, particularly silk, tea and porcelain, expanding exchanges between Chinese and Western regions.

In the Exhibition, pottery saddle horses made in the Tang Dynasty (AD 618-907) and figurines excavated from Xi’an in Shaanxi Province feature obvious Western appearances, proving their exchanges along the road.

Buddhism represented a major link in cultural exchanges along the Silk Road, as evidenced by myriads of Buddha sculptures and figurines found along the road. The exhibition includes some made as early as the Southern and Northern Dynasties (AD 420-581).

Horses AD 618-907
Photo: Pottery Saddle Horses from the Tang Dynasty (AD 618-907) which were excavated along with documents on display from Xi’an in Shaanxi Province – China.

The Imperial Court of the Han Dynasty set up official departments to take charge of various affairs along the route.

Bamboo and wooden slips from Xuanquan Posthouse in Dunhuang, Gansu Province, record envoys’ information, providing historians with precious details to study official appointment and tributary trade systems along the road.

The Second part of the exhibition switches focuses to Richthofen and his students’ research.

The Silk Road was not named until Richthofen came up with the concept after his exploration in China. His student Sven Hedin did surveys to carry forward the idea of the road.

Archaeological explorations along the road peaked in the early 20th century. Groups of explorers from Sweden, Russia and the UK searched for relics in western China.

In the 1920s and 1930s, an exploration team led by Hedin and Chinese Scientist Xu Bingxu surveyed today’s Xinjiang Uygur Autonomous Region, Gansu Province and Inner Mongolian Autonomous Region for eight years to research the Silk Road.

Their exploration made great advances in geology, archaeology and meteorology, giving a boost to scientific exchanges between China and Other Countries.

Their achievements and documents are on display, showing these archaeologists’ great contributions to the academic study of the Silk Road.

In 2014, the Routes Network of Chang’an-Tianshan Corridor of the Silk Road was added to the UNESCO World Heritage Sites list under the collaboration of China, Kazakhstan and Kyrgyzstan.

Since it stretches over 10,000 kilometres and its history spans two millennia, the application took 26 years with tremendous efforts to be approved.

Chinese historians, archaeologists and scientists started to spread the information about the Silk Road culture from the 1950s, attracting visitors and documentary crews from Japan.

Japan’s Hirayama Ikuo was dubbed “Silk Road Painter” because of his great devotion to portraying the landscape, People and Cultures along the road. The Exhibition displays his works on loan from Hirayama Ikuo Silk Road Museum.

Author: Wu Huixin
Editor’s note: The article reflects the author’s opinion only, and not necessarily the views of editorial opinion of Belt & Road News.